I was not prepared to run into this tonight and did not have my tripod with me. I found a nice low safe place under this ride and brace hard against a rail. Slowing your shutter speed down is the key. Similar to the waterfall photos, you are trying to capture movement. In order to do so you must manage the light intake with complimentary ISO, shutter and F-stop setting. These are at 28mm, 2S @ f/7.1 w/ ISO100.
Photography Partners
Saturday, September 5, 2009
Thursday, September 3, 2009
Sea Horses OBX
What a grand place to visit. The Outer Banks of North Carolina are a great escape from the city life droning you may hear every morning. It is true that wild horses live on the northern islands. This day the large dark horse lead his fold off the water line into the dunes. He looked over his kingdom and assessed the safety of his family. They followed him, stopped behind him, then moved off after his "ok". These photographs do not capture the magnificence of that day. These photographs are but a mere tribute to that memory. You can't always get the good shot... but that doesn't mean you missed it.
Wednesday, September 2, 2009
Tuesday, September 1, 2009
Flash Flood
Automatic camera settings are able to make anyone with a camera a "good" photographer. But is the camera always smarter? In this first photograph I "let" the camera use the flash. You can see that ambient light is washed out, the color changes in the foreground and the background. The water is nearly stopped. How about turning the auto functions off and finding new functions your camera has? Then change up perspective, address composition, adjust colors and contrast... and enjoy nature through different eyes.
(Glen Burney Falls, Blowing Rock, NC, USA)
(Glen Burney Falls, Blowing Rock, NC, USA)
Monday, August 31, 2009
Sunday, August 30, 2009
Friday, August 28, 2009
Digital Darkroom
When I started my photography training in a classroom we used film and chemical darkrooms. We used to step into a pitch back room to roll out negatives onto a reel. Then proceeded to submerge them in chemicals to develop, stop and wash them. Next we moved onto the enlarger to make prints. These days it can be done digitally with SD cards, Picasa and PhotoShop. But learning to use your software is just as important as the "old school" ways. Capturing the image is the first part of photography. The later parts are just as crucial. Manipulation in a darkroom, or digital darkroom, will change your outcome. Here is an example I did working with musician Joel Port. A variant of this was ultimately used in a full promotion swing we did. Creating this provided a visual with much more impact than the original and fit the bill perfectly.
Thursday, August 27, 2009
Get to the heart of it.
Get into your flowers. Choose an extreme perspective or a macro focal point. Find lighting that creates vibrant color. Don't stand 8 feet away, use a flash and take a snapshot like it' a group of co-workers next to the new office furniture. GET INTO IT. Let it be real and in your face.
Wednesday, August 26, 2009
Tuesday, August 25, 2009
Fashion Photo
There are more styles of fashion photography than you can shake a stick at. The key to nearly all of them is having a model with confidence. The comfort level in front of the lens is as important as the comfort level behind the view finder. This was a hard cold morning as I recall and Jimmy James was feeling rough. But he performed so well.
Monday, August 24, 2009
Thicker Than Water
Sunday, August 23, 2009
Saturday, August 22, 2009
UpTree
Friday, August 21, 2009
Thursday, August 20, 2009
Petals, petals everywhere
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